Wimper

WimperAlex Farrars book Wimper (the Dutch term for eyelash, or a potential misspelling of the English for whimper) presently held by the reader is an extension of an exhibition, which may be experienced in its own right, after the space has been vacated. It operates on the limits of material evidence by reprising a series of earlier prints entitled Behavioural Residues (second sweep), featuring barely perceptible images of single eyelashes spread throughout

before showing the finished films through subtitled filmstills

belit sağ

the fermata is a hold or pause the duration of which is at the discretion of the performer or conductor

DEATH-DESIGN-DATA investigates the experience of death and grief in the digital era - one that is saturated with information yet finds itself devoid of rituality - and how art and design could play a role in reconciling humans with death

it looks into ways of reactivating the movement’s working methodologies

By considering how ‘racial phantasms’ inform justifications of state and administrative violence

Their proximity to makers allows them to delve into artistic processes

He reflects on the persistence of institutional power structures in Europe and links them to the colonial architecture of the time of slavery in Curaçao

at least in our world

leading Russian literary thinker Valery Podoroga shows how profoundly the Soviet experiment overturned the traditional expectations of fiction and poetry

frequent nearby bars where they suppress their anxieties about their love lives

As Critique